Which playwright is credited with creating the Theatre of the Absurd?

The Theatre of the Absurd is a dramatic genre that emerged in the mid-20th century, characterized by its focus on the illogical and often nonsensical aspects of human existence. Eugene Ionesco is prominently associated with this movement, having crafted plays that illustrate themes of existentialism, the absurdity of communication, and the breakdown of social structures. His works, such as "The Bald Soprano" and "Rhinocéros," exemplify the characteristics of this genre, often featuring illogical sequences and disjointed dialogue that challenge conventional narratives and showcase the futility of human endeavors.

While Samuel Beckett is also a key figure in the Theatre of the Absurd, recognized for his seminal play "Waiting for Godot," it is Ionesco who is often credited as one of its principal creators. Antonin Artaud, known for his work in the Theatre of Cruelty, explored different themes and approaches that do not align as closely with the absurdist principles. Similarly, Arthur Miller focused on realism and social issues in his plays, which are distinct from the absurdist approach. Thus, the connection of Ionesco to the foundational aspects of the Theatre of the Absurd solidifies his significance in this genre