Which of the following is NOT a work associated with Eugene Ionesco?

Eugene Ionesco is a prominent figure in the Theatre of the Absurd, known for his playwriting style that often features existential themes and nonsensical dialogue. Among his well-known works are "Exit the King," "The Bald Soprano," and "The Chairs."

"Exit the King" explores the themes of mortality and the human condition through the story of a dying king. "The Bald Soprano," his first play, satirizes the banality of conversation and the absurdity of modern life. "The Chairs," another of his significant works, delves into the idea of communication and the futility of existence through a pair of elderly characters preparing for guests who never arrive.

In contrast, "The Star of Seville" is not a work associated with Ionesco; it was written by another playwright. Recognizing these associations helps clarify Ionesco’s influence on absurdist theatre, spotlighting how his plays engage with themes of communication, identity, and the absurd. Thus, identifying that "The Star of Seville" does not belong to Ionesco is rooted in understanding the contributions and context of his body of work.