What innovation is associated with Gordab Craig's directing philosophy?

Gordab Craig’s directing philosophy is characterized by the idea that the director's role supersedes that of the actor and playwright. This perspective emphasizes the director as the primary creative force in a theatrical production, responsible for interpreting the script and guiding the overall vision of the performance. Craig believed that a unified artistic vision could be achieved when the director holds significant authority, allowing them to shape the elements of the production—acting, design, and pacing—to create a cohesive experience for the audience.

This approach can be seen as a response to traditional theatre where the playwright's voice often dominated, ensuring that the director had a critical role in the adaptation and presentation of the work, which highlights the necessity of a strong directorial presence in achieving artistic integrity.

In contrast, the other options do not fully capture Craig's revolutionary ideas or philosophy. Collaboration between actor and playwright emphasizes a more balanced partnership, while a focus on realistic acting techniques concerns the performance aspect rather than the overarching directorial control. Finally, an emphasis on stage design over script suggests that the visual components take precedence, which does not align with Craig's belief in the director's authoritative role in orchestrating all aspects of the production.